تشارلي واتس مع ابنته سيرافينا، ساسكس، إنجلترا 1968

The grain and contrast in this print feel so true to the 1968 era—Watts’ quiet, unguarded expression with Serafina is a side of him you rarely see. It’s already the focal point of my hallway, and the archival paper gives it a weight that matches the moment.

Seeing Charlie and Serafina in this quiet moment feels like a private glimpse into his life offstage. The matte paper does a great job handling the soft grays of the English countryside. It’s already framed and hanging in my hallway.

The grain in this photo gives it such a timeless feel, and the way Charlie is looking at his daughter is incredibly moving. I hung it in my hallway and it stops me every time I walk by.