ديفيد بوي، الرجل الذي سقط من الأرض، 1976

The way the light falls across his face in this black-and-white study pulls you right into that eerie, cosmic mood from the seventies. It's framed and hung in my hallway, and every time I walk past, I stop for a second. Exactly the kind of quiet, haunting piece I was hoping for.

I've had this framed in my hallway for three weeks now and I still catch myself stopping to study his expression every time I walk past. The matte finish on the print really suits the moody texture of the film still, and the archival paper feels substantial in hand. For a fifty-year-old portrait, it

The contrast in this black-and-white portrait is stunning — Bowie looks genuinely otherworldly, like he’s mid-thought about something far away. It’s a study from the 70s that perfectly captures that celestial, experimental vibe, and the print quality does it justice.