دوان أولمان، فيلمور إيست، نيويورك، نيويورك، 1971.

You can almost feel the crowd noise through the print, that grainy black-and-white look makes it feel like a real moment from the Fillmore stage. The candid composition captures Allman mid-performance rather than a posed shot, which is exactly what I wanted for my music room wall.

The grain and shadow work in this black-and-white print really bring the Fillmore East stage to life. You can almost hear the crowd between notes. It's a standout piece in my music room.

Bought this as a gift for a Deadhead friend who’s also obsessed with the Allman Brothers, and honestly I’m tempted to keep it for myself — the grainy black-and-white texture makes that 1971 Fillmore set feel like you’re standing in the crowd. Frame it and it’s a whole conversation piece.