John Prine, June 22, 1972.

Hung this 11x14 above my record shelf and the black-and-white contrast is striking — you can practically hear him mid-song. The paper has a nice matte finish too, no glare when the afternoon light hits it.

The grain on this 24x36 print is gorgeous, way better than I expected for a reproduction. You can see the sweat on his forehead and the wear on that guitar, it really feels like you're in the room in 1972.

I hung the 16x20 above my record shelf and the grain in his face holds up even up close. You can feel the whole room in that shot, like the crowd just went quiet for "Sam Stone.