كيث ريتشاردز، مطار الغرب الأوسط، 1979، طبعة مؤطرة ملونة وموقعة بشكل مشترك

The texture of the Arches Aquarelle Rag paper gives it a real gallery feel, and seeing the colourised version of that Midwest airport shot brings the whole scene to life. It's the last one available, so I'm glad I grabbed it before it was gone.

The framing is museum-quality, and the Canson Infinity rag paper gives the print a rich, textured feel that makes Keith’s mid-set expression leap off the wall. It’s rare to find a co-signed piece this clean—arrived perfectly protected and ready to hang.

The grain in the original 1979 negative is incredible—the Canson Rag paper really brings out that raw texture in his jacket. It's the last print available, so I'm glad I grabbed it.