KODACOLOR 200 Color Negative Film, 35mm

I’ve been shooting with this film in mixed lighting — some shots in harsh midday sun, others indoors by a window — and the color reproduction stayed consistent across all of them. The grain is so fine that even when I cropped a photo pretty aggressively, it still looked sharp and natural.

The wide exposure latitude really saved me on a cloudy afternoon when I forgot to adjust my settings—shots still came out with rich, even colors. Grain is impressively tight for a 200-speed stock, and the sharpness holds up nicely when I scan at high resolution.

The exposure latitude really saved me on a cloudy afternoon—I shot half the roll underexposed and it still came back with rich, saturated color and hardly any grain. Sharpness held up nicely even when I cropped in on a few frames.