Marilyn Manson, Backstage, Indiana, 1996

Took a chance on the 17x22 and the backstage moment feels so raw you can almost smell the venue. The black-and-white contrast makes Manson look like he's already in another world, which suits the Dead to the World vibe perfectly.

The grain and shadow work in this photo are incredible for a backstage shot from ’96 — it feels like you’re standing right there in the chaos. I went with the 20-inch size and the detail in his expression still holds up perfectly from across the room.

The 17x22 size really lets you see the grain and shadows in that backstage lighting, it feels like you're standing in the hallway with him. The black-and-white contrast is spot-on for the 1996 Dead to the World vibe.