سيرج غينسبور وجين بيركين، لندن، 1969

The black and white tones in this print capture that raw chemistry between them perfectly—the way she looks down while he's so intensely focused on her is haunting. I’ve got it framed in my hallway and it immediately gives the room a 1960s Parisian mood.

The way Serge is leaning into Jane’s space in this shot feels so candid, like you’re spying on a real moment, not a posed session. Printed on the archival paper, the grain of the 1969 film comes through beautifully, and it’s already the centerpiece of my living room.

The black-and-white tones in this print really capture that raw, avant-garde energy of the late '60s. I love how the photo feels both intimate and iconic, like a perfect snapshot of that era.