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Karel Martens: 언바운드

Karel Martens: 언바운드 - Main image
$38.08 $56 In stock

Category: Wms&Co.

The definitive monograph on a master of systematic beauty. Karel Martens transforms the mundane – stamps, signage, typography – into moments of unexpected poetry through methodical experimentation and rigorous play.

This is design thinking made visible: decades of exploration distilled into one essential volume commemorating his first solo exhibition at the Stedelijk Museum Amsterdam. Not just a retrospective, but a handbook for seeing differently.

The open binding is intentional – pages that breathe, spreads that lie completely flat, construction made beautifully visible. This book is itself a design object, demonstrating Martens' philosophy of structure without constraint.

Featuring works from the Stedelijk Museum Amsterdam collection alongside rare studio pieces. Each page reveals Martens' singular ability to find infinite possibility within self-imposed constraints – the hallmark of truly disciplined creativity.

Perfect for the studio bookshelf, but equally compelling on the coffee table. A book that rewards both casual browsing and deep study.

256 pages, full color throughout. English text. Roma Publications.

Karel Martens (b. 1939): the designer's designer. Co-founder of Werkplaats Typografie, educator at Yale, pioneer of systematic experimentation. From postage stamps to building signage, his work spans decades of disciplined exploration. His signature monoprints – geometric experiments with paper and ink – have become legendary among those who understand that constraints breed innovation.

Part of our Karel Martens collection.

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Customer Reviews (5.0 / 5 · 3 reviews)

Sophia ★★★★★

The way the book captures his methodical experiments, especially the subtle color shifts in the typography studies, is genuinely mesmerizing. It’s a heavy, well-bound volume that makes you want to linger on every page.

Ruby Q. ★★★★★

The print quality on the stamp and signage studies is so crisp you can almost feel the ink pressure, and I love how each chapter builds his methodical experiments into something quietly thrilling. It’s the kind of book that makes you slow down and stare at a single page for five minutes.

Alexander C. ★★★★★

I've flipped through it twice and the reproductions of his stamp experiments are gorgeous—you can actually see the registration marks and grid structure. The binding feels sturdy enough to lay flat on a desk while I work, which matters for a book this size. It's the kind of monograph I'll keep going