Simon Barker, Soo Catwoman & Marco Pirroni

The grain and shadow in this print really capture the gritty energy of that 1976 club night. I’ve got it framed in my study and can’t stop noticing new details every time I walk by.

That leather jacket on Soo Catwoman practically pops off the print, the contrast is so sharp and vivid. It feels like you could step right into that smoky London club scene from 1976.

The way Gruen captures the three of them mid-energy at Club Louise really transports you back to that 1976 London scene. The black-and-white print has this raw, documentary feel that makes it look like it belongs in a punk history book.