Trey Anastasio, Phish, 2003

The grain on this black-and-white print is gorgeous up close, and you can actually feel the quiet moment between Trey and the crowd. Hung it above my desk and it catches the light in a way I didn't expect from a concert shot.

I've got this hanging right next to my turntable and the grainy black-and-white tones make it feel like I'm back in the crowd. The way the shot focuses on his face and not the whole stage is what sold me. Arrived flat and well-packaged, no dings on the corners.

That black-and-white shot from 2003 has this grainy, raw quality that makes it feel like you're standing in the crowd. I hung it above my desk and the focus on his hands mid-riff is what gets me every time.