B.B. King, The Hit Factory, NYC, 1969

You can practically hear the guitar through the archival silver gelatin print, and the platinum finish gives B.B.'s expression a depth that feels alive. It arrived well-packaged and is the kind of piece that anchors a whole wall.

You can almost feel the raw energy of that '69 session just looking at this photo—the platinum print really brings out the depth in B.B.'s expression. It’s been up in my listening room for a week now and I catch myself stopping to study it every time I play The Thrill is Gone.

The archival print quality really makes the black-and-white tones of that 1969 recording session pop. I hung it in my listening room, and the silver gelatin finish gives it a depth that perfectly matches the music.