James Taylor, Sweet Baby James, 1969, Fargelagt & Medsignert

The hand-signatures from both Diltz and Taylor really make this limited print feel special, and the colourisation adds a warmth I wasn't expecting. It arrived carefully rolled and the paper texture is beautiful under light.

The Canson Infinity Arches paper gives it a real gallery feel, and the hand-signed co-signatures from both Diltz and Taylor make it a true collector's piece. The colour on his jacket pops beautifully against the vintage sepia tones.

The hand-signed touches from both Diltz and Taylor make this feel like a real piece of music history, and the rag paper has that luxurious texture you can feel before you even hang it. I’ve framed it in the living room and the colourised tones warm up the whole space.