The Police innspilling i AIR Studios, Montserrat, 1981

I framed this and the light hitting Sting’s face in the candid shot gives it such an authentic, almost documentary feel. The silver gelatin print has a beautiful depth that brings the studio atmosphere right into my living room.

The grain in this print really captures the raw energy of that 1981 session—you can almost hear Sting’s bass through the static. Lynn Goldsmith’s eye for the candid moment is spot on, and the mounting feels sturdy enough to hang for decades.

You can almost feel the tropical humidity in the air from the recording session, which Lynn Goldsmith captured perfectly. The black-and-white print has a rich, archival quality that makes the candid shot of the band feel both immediate and timeless.