Chris Cornell, Seattle, 2012

The black-and-white tones give this such a quiet, timeless feel, and you can really sense how lost in thought he was backstage. It's hanging in my hallway now and I stop every time I walk past.

The close-up framing really lets you sit with his expression, and the black-and-white printing pulls out details in his face I hadn't noticed before. Hung it above my desk and it's become the first thing I look at in the morning.

The backstage setting makes this feel like a stolen moment rather than a posed shoot, and I keep noticing new details in the shadows. Hung it above my desk and the black-and-white tones look even richer in person.