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Designerly Ways of Knowing: A Working Inventory of Things a Designer Should Know

Designerly Ways of Knowing: A Working Inventory of Things a Designer Should Know - Main image
$12.6 $18 In stock

Category: Art of Play

Design thinking has created divisions in the discipline: either designers are too theory driven or simply practitioners. Those feeling lost can easily turn to a language meant to inspire creative production in easy to pitch ways, where rhetoric uses design to keep power at bay, to celebrate hegemonic beliefs which are used to indoctrinate designers in bad education, incapable of imagining different futures. If you take away the post-its, the A3 papers and the markers, can designers think?

Led by Antonio Gramsci’s advice that knowing thyself requires compiling an inventory, design critic, educator and researcher Danah Abdulla pays tribute to the late architect, activist and critic Michael Sorkin, whose original list "Two Hundred and Fifty Things an Architect Should Know" inspired this updated version targeted at designers. The iterative list is not meant to be a definitive how to guide, but to spark conversations, to prompt critical thinking and to help designers reconfigure their discipline.

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Customer Reviews (4.8 / 5 · 19 reviews)

Matthew ★★★★★

The chapter breakdown is laid out so clearly that I finally see the bridge between academic theory and hands-on studio work, which has been my blind spot for years. It’s dense but never dry—I’ve already dog-eared half the pages for my next project.

Brian B. ★★★★★

I’ve been bouncing between theory and practice for years, and this book finally gives me a shared vocabulary to bridge that gap. The way it breaks down what a designer should actually know—concrete, not abstract—made me feel less lost by page twenty. It’s dense but worth it.

Mia X. ★★★★★

The inventory format is genius—it’s organized so you can actually flip to a specific dilemma and find language that nudges you forward, not just abstract theory. I’ve already dog-eared half the pages for my studio critiques. It’s the rare book that makes me feel less lost in the theory-versus-practi