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Ektachrome 100D Color Reversal Film 7294, 16mm

Ektachrome 100D Color Reversal Film 7294, 16mm - Main image
$55.97 $311.95 In stock

Category: CineStill Film

KODAK EKTACHROME 100D Color Reversal Film / 7294 is a 100-speed, color reversal motion picture camera film intended for photography under daylight illumination (5500K). It provides a moderately enhanced color saturation performance while maintaining a neutral gray scale and accurate skin reproduction. 7294 Film has exceptional sharpness, and its grain performance is excellent. This film also offers very strong reciprocity, uniformity, and keeping stability.

7294 Film produces outstanding results in outdoor and studio applications where moderate color saturation is desired. It is excellent for advertising, nature cinematography, documentaries, music videos, and is especially good for telecine transfers and television filming. It can also be projected.

Features 

  • 100-speed, color reversal motion picture camera film
  • Intended for photography under daylight illumination (5500K)
  • Can also be projected
  • Perforated One Edge 


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                Customer Reviews (4.6 / 5 · 5 reviews)

                Chloe L. ★★★★★

                Finally got my hands on a roll of this 16mm reversal stock, and shooting at 100 speed under open sky gave me those rich, saturated colors I’ve been chasing. The 5500K daylight balance meant I didn’t have to fiddle with filters, and the footage came back looking crisp and vibrant straight off the pro

                Lucy I. ★★★★★

                The color rendition under daylight is simply gorgeous—that 5500K balance gives skin tones a natural warmth I didn't expect from reversal stock. Grain is fine for a 100-speed film, and the contrast holds up beautifully even in shaded areas.

                Scarlett ★★★★★

                Finally got to run a roll through my Bolex under perfect afternoon sun, and the 5500K balance handled skintones beautifully without any correction filters. Grain is tight for a 100-speed stock, and the reversal process gave me punchy, archival-ready images straight off the projector.