KODACOLOR 100 Color Negative Film, 35mm

I’ve been shooting this roll in mixed shade and direct sun, and the exposure latitude really saved my highlights while keeping skin tones natural. Printed scans came back with that classic saturated look but zero muddy grain, even in the darker frames.

Shot a whole roll on an overcast morning and the wide exposure latitude really saved my highlights—no blown-out skies even where I forgot to adjust. Colors came back punchy but natural, and the consistent reproduction made scanning a breeze. This is my go-to daylight stock now.

The 100-speed rating handles bright daylight beautifully, and I was honestly impressed by how sharp the grain stayed even on overcast shots. Wide exposure latitude saved a few frames where I guessed the light wrong.