Trent Reznor, tittar in i kameran, New Orleans, 1996

The contrast in this black-and-white shot is striking—the dark cape against the grain of the film makes his contemplative stare feel almost cinematic. It’s hung above my desk and I keep catching myself looking up at it mid-workday.

I’ve been staring at this print for days—the way his dark cape blends into the background but his eyes still cut through is haunting. The paper has a nice matte finish that reduces glare, so it looks great in my hallway without any reflection issues.

The contrast in this print is stunning—the deep blacks of the cape really make his expression pop. Already hung it in my study, and the way the light catches the photographic paper gives it an almost ethereal glow. Exactly the contemplative mood I wanted from that era.