250D彩色負片 VISION3 7207，16mm

Overcast day on a rooftop and the 250D still held onto so much detail in the bright sky, which is exactly why I keep buying this stock. Latitude on both ends means I can meter a bit loose and still grade it without fighting clipped highlights.

Shot a short outdoors at golden hour and the shadows still held detail I usually lose. That extra highlight latitude meant I could stop fiddling with meters and just keep rolling while the light changed.

The highlight latitude on this stock is no joke — I exposed for the shadows in a backlit scene and still pulled usable detail out of the bright sky. Grain is tight for a 250 speed, which I wasn't expecting from a 16mm negative.