Blonde on Blonde Outtake (UNTITLED), 1966

The color in this outtake feels so much more vivid than the familiar album cover, and the paper stock has a nice, heavy archival quality. I’ve always loved Schatzberg’s work with Dylan, so finally having this untitled frame on my wall is a real treat. It arrived well-packaged and looks even better i

I’d seen the album cover a thousand times, but this outtake captures a looser, more candid Dylan that feels like a private moment. The print itself is sharp and the color holds up beautifully, though the frame I chose took a while to arrive.

The color reproduction is striking and the gallery-grade paper feels substantial, so it’s a nice piece for a music room. Just wish the print came with a bit more context on the back about the session, but that’s a minor gripe for the price.