巴布·狄倫，聯絡表，紐約，1965

The way Schatzberg captured that mid-1960s moment feels so raw and authentic, and the contact sheet format lets you really study how Dylan moved between frames. I've had it up for a week now and keep finding new details in his expressions each time I pass by it.

The contact sheet is even more striking in person than I expected, with Jerry Schatzberg's raw, unposed captures of Dylan in the studio. The historical context—that Sara Lownds set up the shoot—adds a layer of intimacy that makes it a real conversation piece. I've framed it in my study and can't sto