波諾、U2、日落大道、洛杉磯、加州、1988

The grain and saturation in this 1988 Terry O'Neill portrait make Bono feel larger than life, like the Rattle & Hum era is frozen right in front of me. I've stared at the way the Sunset Boulevard light hits his jacket three times already—it's that good.

The color in this Terry O'Neill shot is incredible—that 1988 Sunset Boulevard vibe really comes through in the print. I've had it up for a week and still catch myself stopping to look at the detail in Bono's expression.

I framed this Terry O'Neill print and the way the light hits Bono's face on that Sunset Boulevard sidewalk feels almost cinematic. It arrived well-protected and the paper quality is excellent, no glare on the glass.