Iro：色彩的本質

The way the book traces color through centuries of kimono, pottery, and woodblock prints gives each hue a real story, not just a swatch. I found myself going back to reread the sections on indigo and vermillion several times.

The historical depth here is remarkable—it traces those color traditions all the way back to the 7th century and shows how they shaped everything from rank to design. The layout makes it easy to jump between eras, and I found myself reading whole chapters in one sitting.

I was curious how the book would tie historical color use to modern design, and the section on Heian-era court rankings really delivered. The paper quality feels substantial, making the color plates pop beautifully. It’s a thoughtful, well-researched read that I’ve already recommended to a friend.