聲名狼藉先生 #5，紐約布魯克林，1997

The way the photographer captures that contrast—the kid he once shot on a rooftop versus the man in the limousine—really hits you. The print's detail is sharp enough to feel the weight of that moment. It's been hanging in my hallway for a month and I still stop to look at it every time I pass.

The photographer’s note about Biggie picking him up in a limo adds such a personal layer to the image. The detail in his expression and the black-and-white grain really capture that specific Brooklyn moment.

You can feel the weight of that moment just by looking at this print. The way the light hits his face in the limo makes it feel like you're right there with them. It's already the centerpiece of my living room.