Orto 50 黑白負片, 120

Shooting this on a bright afternoon was a joy—the 50 ISO forced me to slow down and meter carefully, and the midtones came back with a creamy, old-school Italian character that digital just can’t fake. I’ve run two rolls through my Bronica and the negs are crisp, with a fine grain that holds up beau

The halation and contrast on this 50 ISO stock gave my medium format shots a look I've never gotten from other black and white films, almost like an old pictorialist print. It handled the bright scenes in the park beautifully, though I did need to brace the camera for the slower speed.

Shooting this 120 roll in bright daylight felt like rediscovering why I love black and white film. The 50 ISO speed pushed me to slow down and meter carefully, and the results have that crisp, old-school look with gorgeous tonal range.