Category: Wms&Co.
《白》不是一本關於顏色的書。它是一場對本質的探索——原研哉對白色作為日本美學源起的沉思，一種簡約與深刻克制的哲學。
其姊妹作《白百》則透過一百個具體例子——雪、米、蠟——延伸這項探究。作為無印良品的藝術總監，原研哉檢視這些白色在設計過程中的意義：它們不只是視覺現象，更是心靈狀態。
兩冊書。兩種途徑，通往同一種靜謐的執著。各冊單獨販售。
收錄於我們的日本極簡美學系列。
I was skeptical a whole book could be built around one color, but the way it ties white to Japanese aesthetics and restraint genuinely shifted how I see minimalism. The essays feel weighty yet airy, like the concept itself, and I've already reread several passages twice.
Hara's writing on white as the origin of Japanese aesthetics made me rethink how much empty space actually does in a design. The essays are short but dense, so I found myself reading one or two at a time rather than straight through. The only thing keeping it from five stars is that some sections fe
