Bob Dylan, Blonde on Blonde Album Cover, New York, 1966
Category: Morrison Hotel Gallery
'I wanted to find an interesting location out of the studio. We went to the west side, where the Chelsea Art galleries are now. At the time it was the meat-packing district of New York and I liked the look of it. It was freezing and I was very cold. The frame he chose for the cover is blurred and out of focus. Of course everyone was trying to interpret the meaning, saying it must represent getting high or an LSD trip. It was none of the above; we were just cold and the two of us were shivering. There were other images that were sharp and in focus, but to his credit, Dylan liked that photograph.'
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